Saturday, July 11, 2026

Kobe Bryant Death Throws the Already-Plagued Grammy Awards into Disarray at Staples Center

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It’s as if the Grammy Awards are jinxed. Eight years ago, Whitney Houston died on the eve of the show, at the Beverly Hilton Hotel. The next day the Grammy Awards turned into a memorial service.

Now Kobe Bryant, who plays for the Los Angeles Lakers in the Staples Center, has died tragically in a helicopter crash hours before the Grammys will be broadcast from the Staples Center.

The Grammy Awards are already a mess because of a variety of scandalous charges, accusations, and allegations. Host Alicia Keys was scheduled to open the show with a mashup song she’d written that reflected the chaos before Kobe’s death. Now, the whole thing is up in the air. What do you do when the star of your venue, beloved by millions, has died at age 41 in the prime of his life?

Grammy producer Ken Ehrlich has a huge challenge for his final show. He retires from the Grammys after tonight’s show. But first he has to get through it. There won’t be a dry eye in the house, and a pall will certainly overshadow what should be a night of musical celebration. Most of the Grammy performers and presenters will have known Kobe or have a deep connection to him.

But the show must go on.

Stay tuned…

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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