Tuesday, July 28, 2026

Katherine Heigl: ‘Goddess’ Un-friends Facebook (Movie)

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Katherine Heigl and costar Josh Duhamel may have proven that TV stars can translate to movies–at least on a quiet weekend.

It does look like their poorly reviewed sorta remake of “Baby Boom” called “Life as We Know It” finished number 1 at the box office on Friday night. It beat “The Social Network,” aka the Facebook movie and an Oscar contender.

When numbers come in later today we’ll see if Heigl took the whole weekend. This is all funny since a know it all blogger on another site already declared “Social Network” Friday’s winner and the weekend’s winner. But boxofficemojo.com and showbizdata.com say otherwise.

Heigl has a reputation for being difficult, as chronicled in last week’s New York Times. But still he’s now in the Jennifer Aniston realm, making a lot of TV -type movie light comedies, forgettable and pedestrian. She’ll hope to change that next year with “Undomestic Goddess.”

I’m told that Heigl is negotiating to star in the Tribeca Productions comedy based on a Sophie Kinsella novel. Her character is an American lawyer working in London who loses her job and has to become a nanny. The imdb says Amy Adams is supposed to be in this film, but the word is that Heigl takes the role. Oscar nominee Adams is always busy, and Imdb is not always correct.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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