Tuesday, June 30, 2026

Trump Rescues Billy Bush from Unemployment Places Him on Murdoch’s “Extra,” Mario Lopez Probably Heading to “Access Hollywood”

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The syndicated TV land will look a lot different in the fall.

“Extra” will get away from just Hollywood coverage now that it’s owned by Fox TV. Reports today don’t seem to understand the significance of Billy Bush finally getting a job after his “p-ssy grabbing” scandal with Donald Trump. Trump has basically rescued him and placed him with “Extra” now that Rupert Murdoch has bought it from NBC.

“Extra” has already started moving in the Trump-Fox direction by hiring former Trump mouthpiece Sean “Spicey” Spicer as a guest correspondent. Spicer’s first job was to do puff pieces on Trump administration officials.

Having lost the National Enquirer as his attack dog, Trump will need a foothold somewhere in the press to spread lies and act as his own Pravda. Billy Bush will carry out that message.

Meanwhile, effervescent and hard working Mario Lopez will jump to “Access Hollywood,” I hope (and it’s been bandied about) replacing Natalie Morales.

Once celebrities and the studios wake up and realize what’s happened to “Extra,” and where it’s headed, it will be interesting to see if the show can get access, or if they even want it.

Stay tuned…

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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