Friday, July 3, 2026

Box Office Boffo: “Captain Marvel” Crosses $500 Mil Monday, But “Captive State,” “Wonder Park” Disappoint Fans, Investors

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Today, “Captain Marvel” will finish out Sunday with $496 million. This means tomorrow is $500 million day. Brie Larson and Samuel L. Jackson added $68 million in their second weekend. It’s quite an accomplishment. “Captain Marvel” is the future of Disney-Marvel now, as she will also make an appearance in “Avengers: Endgame.”

The rest of the box office is dismal. “Captive State,” a movie no one knew about with John Goodman, was DOA as predicted. Apparently it’s not even rated. Is that possible? They made $3.9 million. Why even release it? Just so people who couldn’t get into “Captain Marvel” had a place to go in the cineplex?

And “Wonder Park” was less than animated but very cartoon like with $16 million. It cost over $100 million.

M. Night Shyamalan’s “Glass” is ending a nine week run with $110 million, most of it made in the first two weeks. I doubt anyone remembers that it was released. It came, it went. Bruce Willis hardly spoke in it, and was filmed oddly. Still, it was a Samuel L. Jackson film. He’s the theme of the box office this run.

Jordan Peele’s “Us” starts previews Thursday night, opens Friday and will be a BLOCKBUSTER.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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