Saturday, July 4, 2026

The Sweet Moments You Don’t Want to Miss in “Captain Marvel” and This Hit is One More Piece in a Gigantic Jigsaw Puzzle

Share

★ Make Showbiz411 your Preferred Source on Google

I’ve just come from seeing “Captain Marvel” at my local Showcase Cinema. I was alone in a huge theater, save one girl who looked like Ally Sheedy in “Breakfast Club.” The theater itself was freezing. Also, “Captain Marvel” is playing next door in a competing theater complex. Maybe everyone was over there.

I went to see Brie Larson. She did not disappoint. Larson was captivating in “Room,” “The Glass Castle,” and “Short Term 12.” With “Captain Marvel,” she proves she can do anything. And with the money from the franchise, she can take chances now on edgy films.

As it is, “Captain Marvel” was made by a pair of directors who are already unusual, Anna Boden and Ryan Fleck. They’ve some seriously lovely indie films like “Half Nelson” and “Sugar.” They’ve directed episodes of the woefully underpraised “Billions.” You knew they’d make a great movie.

And they have. For girls and young women, “Captain Marvel” will resonate for generations to come. It’s about empowerment, mentorship, and yada yada all those good things.

But it’s also got some sweet stuff for Marvel fans. This film is yet one more piece in a gigantic jigsaw puzzle that’s building to “Avengers: Endgame.” It brings back Nick Fury in the person of Samuel L. Jackson, de-aged, as well as Clark Gregg as Phil Coulson from “Agents of SHIELD.” So we’re getting origin story upon origin story here, which makes Marvel fans twinkle with delight. (I remember when I was a kid, and comic books cost 12 cents. The letters in the back were from fanatics then who were piecing it all together with cellophane tape. I used to think, these people are really nuts.)

Anyway, Stan Lee died right at the last minute since there are many tributes to him in “Captain Marvel” that you don’t want to miss. The movie is dedicated to him. But also the animated Marvel logo opening is a montage of his scenes from past movies. Plus, Captain Marvel runs into him on a bus, where they have an exchange. If I hadn’t been alone in my theater, I’d have clapped.

There’s lots of fun in the “CM” screenplay, too, including a shout out to Brad Pitt. (His kids, who will see the movie, should be impressed.)

But mostly, what you get from “Captain Marvel” and its two post-film scenes is this: the utter devotion these Marvel people have to their mythology, how seriously they take it, and how they can keep referencing their universe over and over. This is what the DC Comics movie people could never figure out. I am in awe of how the Marvel people have built and built thing to this end. After seeing “Captain Marvel” take off like a rocket this weekend, I can only assume “Endgame” will be volcanic when it arrives.

 

Donate to Showbiz411.com

Showbiz411 is now in its 13th year of providing breaking and exclusive entertainment news. This is an independent site, unlike the many Hollywood trades that are owned by one company. To continue providing news that takes a fresh look at what's going on in movies, music, theater, etc, advertising is our basis. Reader donations would be greatly appreciated, too. They are just another facet of keeping fact based journalism alive.
Thank you


Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

Read more

In Other News