Saturday, June 20, 2026

Oscar Winner Faye Dunaway Finally Aiming for Broadway with Boston Production of One-Woman Katharine Hepburn Play

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Faye Dunaway has tried to return to Broadway ever since her last stint in 1982. She tried and tried to mount a production of “Master Class,” and wanted to make the movie version. But it never worked out. Instead she led a successful national tour, and played Los Angeles. But never New York.

Now Faye, Oscar winner for the movie, “Network,” now on Broadway as a play, will get her chance.

Dunaway will star this summer in a production of Matthew Lombardo’s “Tea at Five,” a one woman show about Katharine Hepburn. If it goes well. Faye will bring it to Broadway in the fall, the time when movie stars try out Broadway shows far from the pressure of the Tony Awards.

Faye has been in four Broadway shows. She debuted as a replacement in the 1961 all -star production of “A Man for All Seasons.”But none of her other shows ran for more than few weeks or months. Instead, Dunaway found her success in movies like “Bonnie and Clyde,” “Three Days of the Condor,” “Chinatown,” and “Little Big Man.”

For “Tea at Five,” Dunaway has one of the great directors, John Tillinger. At age 77, she may have the elusive theater success she’s always wanted. We’re rooting for her!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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