Saturday, July 4, 2026

Motown’s The Temptations “Ain’t Too Proud” To Begin Broadway Run with Rosie O’Donnell, Other Pals

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There was a line from the Imperial Theater last night straight down to the corner of 8th Avenue. The people were ticket holders coming to see the first Broadway performance of “Ain’t Too Proud to Beg.” a new musical about the Temptations.  Motown fans? Yes!

The musical doesn’t open until March 21st. But the producers are happy enough with their show (after runs in LA, Boston, and Chicago) to let people see it now. There had only been a short rehearsal schedule here  plus three days of recording the cast album.

I ran into Rosie O’Donnell during intermission, who loved the show but had to get home fast. “Sick kid!” she said. “I’ll see you opening night!” she said.

Every seat was taken. I think I even saw Christopher Knight aka “Peter Brady.”  The crowd roared at many numbers, and gave the cast of non-stars a standing ovation.

I can say I was very impressed for a first performance. Previews are for figuring out what works and what doesn’t. I give the show high marks for including my favorite Temptations song, “Since I Lost My Baby,” in a smart way to drive plot. (I’m going to humming all night.)

The sets, lighting, actors– dancers and singers, so talented– A plus. I really loved the guy who played bass baritone Melvin Franklin.

But I will say gently, they should omit use of a Harold Melvin and the Blue Notes song, “If You Don’t Know Me By Now.” It’s not Motown, it’s from Gamble and Huff’s Philly International label, literally Motown’s R&B enemy. It’s also from 1972 or 1973, all wrong. I say this in the nicest way.

There are so many songs from the Motown catalog and the Temps, you have a lot to choose from. When members of the Temps left the group, they had hits. David Ruffin had a monster hit with “Walk Away from Love” in 1975.  Eddie Kendricks had “Keep on Truckin.” It would be cool to hear those songs. Dennis Edwards had a monster also, “Don’t Look Any Further.” All Motown.

Also, one scene I’d love to see that wasn’t in the “Motown” musical– how Smokey Robinson wrote all those hits, and how we knew which ones went to the Temps or to his own Miracles. Maybe show how he taught the Temps “My Girl.”

Otherwise, “Ain’t Too Proud” has the feel of a hit. Much more I don’t want to say until the show is locked. But everyone’s in for a treat.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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