Tuesday, May 19, 2026

Box Office: “Aquaman” Disappoints in US with Just $72 Mil Opening, After Worldwide Smash

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“Aquaman” is not Superman, Batman, or Wonder Woman.

The DC Universe water works brought in just $72 million for the weekend (including Thursday previews). That puts it well below the top five of DC Extended Universe films, below reviled movies like “Batman v. Superman” and “Man of Steel.”

This is not good news for more “Aquaman” movies or even more DCEU films. The Warner Bros. franchise continues to have deep problems compared to the huge success of Marvel Films.

“Aquaman” doesn’t get to set any records. It falls at around number 106 on the all time list of domestic opening weekends. You can’t really trumpet that in ads or PR.

As I wrote yesterday, Warner Bros. handled this movie brilliantly. They went to China, without reviews, and just hype. They made all their money back internationally right away, knowing the tepid reviews in the US would lead to trouble here. So they’re safe no matter what happens.

Maybe now Warners can put more effort into Clint Eastwood’s “The Mule,” which already has $28 million with little fanfare. It also has growing word of mouth. Eastwood and Dianne Wiest should be nominated for Oscars. Clint should be celebrated for his subtle, fun work. His character is not a racist– even though someone’s been planting those items. “The Mule” is a substantial piece of work!

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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