Wednesday, May 20, 2026

All Eyes on Morgan Radford, Amy Holmes to Replace Megyn Kelly Starting Monday on Today

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This Monday the 9am hour on the “Today” show is going to look a lot different. Megyn Kelly will be gone. So will the logo “Megyn Kelly Today.”

So what will Monday’s show look like?

I’m told that Morgan Radford and Amy Holmes, who appear on the Kelly show as contributors, are likely to take her place.

Al Roker might be part of the equation, too. His show with Tamron Hall, which preceded Kelly, was very popular.

But Tamron Hall–bad timing. She signed a deal with Disney syndication for her own talk show. So she can’t come back to NBC. Her show will launch next year.

One other possibility is bringing in Willie Geist. He’s very popular, likable, and could take the sting out of the transition back to normalcy.

Expect the 9am hour to go back to light news and entertainment, and to stop being a daily forum for abuse stories. Those topics at 9am didn’t compete with “Live with Kelly and Ryan” or “Hot Bench.” They were strident, accusatory, and often not fully developed with much thought.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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