Sunday, June 28, 2026

Go Figure: American Music Awards Puts on Good Show, Gets Bad Ratings, Down 2.5 Million Plus Viewers from Last Year

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Isn’t this how it goes? The American Music Awards put on a good show last night on ABC, with Taylor Swift, Camilla Cabello, and Gladys Knight leading a wonderful Aretha Franklin gospel tribute.

The result: 2.5 million fewer viewers than last year. The AMAs were trounced in the 10-11 pm hour by scripted programming on the other networks. The 2.4 rating from last year fell to 1.8.

The good news is that by moving the show from November to early October, ABC actually scored much better numbers in a year-to-year comparison by date. The AMAs improved on the ABC comedy block of October 9, 2017.

Still, the decline follows all other awards shows. The AMAs last night had 6.2 million or so fans. Last year they were up to over 9 million.

It’s too bad. Aretha Franklin would have loved her tribute. The other performances were all very good, if not spectacular in any way. Taylor Swift is milking a year old release at this point. Mariah Carey was…stolid. The AMAs had no rock stars, though, and nothing that really popped. The coming Grammy Awards in February 2019 should take heed. But they should feature Lady Gaga and Bradley Cooper, Cher, and other, bigger stars.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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