Wednesday, May 20, 2026

Irony: Mia Farrow Said to Be Upset Woody Allen Finally Using Her Own Tactics Against Her

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Page Six reports that tomorrow’s New York magazine will have a feature on Soon Yi Previn Allen, daughter of Mia Farrow, and wife of Woody Allen for 25 years. She’s also the mother of Woody’s two grown daughters.

The report claims that Farrow and her daughter Dylan are upset because the author of the piece is a friend of Woody’s, Daphne Merkin.

How hilarious is that?Farrow regularly uses her pals to attack Woody. New York Times writer Nick Kristof, one of her best friends, used his op-ed space in the paper a couple of years and gave Dylan a forum to character assassinate Woody. In Vanity Fair, her buddy Maureen Orth made up the whole Frank Sinatra is Ronan Farrow’s father canard as Mia’s behest.

Well, Farrows, what’s good for the goose is good for the gander, as they say. Now Soon Yi will set the record straight. Maybe Amazon Studios will take what she has to say seriously and release Woody’s new movie. The worst kind of blacklisting has been served on Woody, and he doesn’t deserve it.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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