Thursday, May 21, 2026

Trump Daughter-in-Law Doubles Down on Laura Ingraham Claim, Posts Pictures of Her “Kiddies Before Summer Camp Starts,” Presumably Not in Cages

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We know the Trump sons and their wives are no rocket scientists. But Vanessa Trump, who’s getting a divorce from Donald Trump Jr., takes the cake. This morning, while the world is horrified by conditions of immigrant children in cages and camps in the United States, Vanessa posted photos of her kids before they go off to summer camp. Presumably, their camp doesn’t put them in cages, or on floor mats made of Reynolds Wrap in 100 degree heat. Tone deaf?

She’s doubling down on Fox News’s Laura Ingraham’s assertion that detention camps are like “Summer camps.”

Meanwhile, Eric and Lara Trump have used a baby to re-enact a scene from The Godfather on Twitter. The expression on the baby’s face says it all. He knows what they mean when they say “We’ll take you for a ride.”

Earlier, Lara Trump posted this picture too. They may have airbrushed out the sign the baby was holding, which looks it might have read: Help! Don’t let them lock me up!

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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