Monday, June 29, 2026

Box Office: Digital Finally Does to Movie Biz What It Did to Records– Lowest Numbers Ever

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I took a while. but this is the summer when digital delivery did to the movie business what it already did to the record industry– killed it.

Since Napster and everything that followed, the record biz has seen its weekly numbers grind down to nothing. Digital delivery destroyed the physical business. There are no record stores left anywhere. The ones that are still out there sell dozens of other items as well.

Now digital delivery has killed movies. Last night’s box office follows a three month trend. With a couple of exceptions– “Wonder Woman”–the audience has not shown up in movie theaters to see movies. They’ve stayed home to watch “Game of Thrones,” Netflix, and Amazon.

Last night’s top 10 barely made a total of $12 million. That should be a Friday night take for one movie. But nothing is doing business, except “Wonder Woman,” which was released back widely and made $475,000. But the top movie, “Hitman’s Bodyguard,” a holdover, made $3.3 million last night.

Movie theaters are going to go the way of record and book stores. It took a long time, but here it is. And this is tragic. Once the trend starts, it’s impossible to reverse it. So the studios better think of something fast.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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