Saturday, May 23, 2026

Box Office: ‘Scarlett’ Letter as “Ghost in Shell” Bombs, Destroyed by Cartoon “Boss Baby”

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Scarlett Johansson’s run as “highest paid actress” may be coming to an end. Paramount’s “Ghost in the Shell” bombed over the weekend with just $19 million, not enough to launch a $110-150 million movie. The box office was a ‘shell’ of its former self, or something like that. The studio picked up $40 mil abroad, where no one had to understand what was going on. Small consolation.

“Ghost” was destroyed by Fox’s “Boss Baby,” an animated comedy that made $49 million. That’s a HUGE amount for something that didn’t cost too much to make or promote, isn’t live action, and has nice but not huge stars. It’s also an ironic twist for Paramount, which is about to be headed up by the former head of 20th Century Fox, Jim Gianopolous. Ouch! So far Paramount has had a dismal start t the new year.

Elsewhere, “La La Land” crosses $150 million today. “Beauty and the Beast” will hit $400 million US tomorrow.

But the bad news is where people made stupid decisions anyway. “CHiPS” is dead at $14 million, made for $25 million at least. Who wanted to see this? No one.

And in the goofy end of the box office, Terence Malick’s “Song to Song,” unwatchable and un-needed, made $58,000 over the weekend. That’s $618 per theater. So much self indulgence. So much talent and time wasted. So ridiculous. This is what gives indie film a bad name.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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