Saturday, July 25, 2026

Katie Holmes’ Bi-Polar Movie Has Made Almost No Money in 17 Days’ Release

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It’s not fair to call “Touched with Fire” Katie Holmes’s movie. But she was signed to give Paul Dalio’s movie a marquee name. Katie could not have known what was coming. Roadside Attractions released the former “Mania Days” some 17 days ago. And its total take at the box office: $138,845. The movie had a decent but not great 68% rating on Rotten Tomatoes.

Dalio enlisted Spike Lee as executive producer, but even that didn’t help. Nice reviews handled the movie with care. But Roadside– er, Roadkill– is famous for suffocating its movies until they’re dead. This was no exception.

Who loses all the money spent on this? Luckily, Paul Dalio is the son of Ray Dalio, who runs Bridgewater Associates, a monster hedge fund in Connecticut. Actually, Bridgewater may be the biggest hedge fund in the world. Ray Dalio is said to be worth $15 billion. So five-or-ten million for an art film is a minor annoyance.

Roadkill’s next movie is Sally Field in the much liked “Hello My Name is Doris.” Michael Showalter directed it. I advise everyone involve to get their own publicists and do their own marketing. Or they, too, like “Touched with Fire,” will be heading to Netflix, VOD, and video kiosks in a Publix market.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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