Friday, July 17, 2026

Is Zac Efron a Movie Star? “We Are Your Friends” Flops with Shocking $1.8 Mil Weekend

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We’re starting to see where hype and tabloid news mean nothing at the box office. Zac Efron is a sort of male pin up, Frankie Avalon with abs. This weekend his starring vehicle “We Are Your Friends” left theaters empty at $1.8 million. That’s for the entire weekend. Efron can make paparazzi insane, and draw crowds of women in person that amount to Beatlemania. (I’ve seen it up to close.) But open a film? Nope.

Kristen Stewart is having the same problem. She starred in the “Twilight” series and became the Annette Funicello of vampire movies. The tabloids and fotogs turned her into a superstar of publicity. But “American Ultra,” her new movie with Jessie Eisenberg, is a huge dud. It’s made just $10 million over two weekends. Her “Twilight” fans did not follow her to a regular project.

“Straight Outta Compton” won the weekend, and deservedly so. A faith based movie called “War Room,” which is not the famous documentary called “The War Room,” was second. “Mission Impossible” rose to $170 million, defying all expectations. “Southpaw” has quietly risen to $50 million. “The Man from UNCLE” — just lies there like a lox.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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