Monday, May 25, 2026

Ratings: Everyone Watched “Empire” and Not Much Else on Wednesday Night

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Wednesday night was all “Empire” from 8 to 10pm. The show scored 16.7 million total viewers and a 6.5 in the key demo. It had a 20 share. This is called a phenomenon.

Not much else happened because the rest of broadcast TV was in reruns. At 10pm, two shows– the “CSI Cyber” premiere and Diane Sawyer’s special about “The Sound of Music” — tied at around 7.3 million viewers. They skewed to older audiences. I missed “CSI” but I did watch Julie Andrews, and the show was lovely. I figure “CSI” I will be seeing in reruns and syndication for years to come.

Meanwhile, the “Empire” CD is number 2 on amazon and on iTunes, selling like hot cakes right behind Kendrick Lamar’s “To Pimp A Butterfly.” If “Empire” can sustain story burnout– too many plots, characters, and quick things going by– they could go a possible four or five seasons. But it will be tough at this rate. Every show like this– huge sudden successes–like “thirtysomething,” “Moonlighting,” and now even “Glee”– cannot sustain itself for too long. So let’s enjoy it while we can.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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