Friday, July 3, 2026

Jupiter Ascending is Falling: Will a $175 Mil Flop Hurt Eddie Redmayne’s Oscar Shot?

Share

★ Make Showbiz411 your Preferred Source on Google

What a mess: Warner Bros., in what will be recalled as a very imprudent move, showed the Wachowski siblings’ “Jupiter Ascending” at Sundance. “Jupiter” cost $175 million, the anti-thesis of independent film. You can only imagine what the people in the Egyptian Theater in Park City thought as this spectacular 3D flop unspooled in front of them: it represented the cost of 100 indie movies.

Now the word has leaked, or rather, exploded, that everyone at Sundance hated “Jupiter Ascending,” which opens February 6th. That’s right in the middle of Oscar voting. And guess who’s one of the three co-stars? Eddie Redmayne, front runner in the Oscar race for Best Actor from “The Theory of Everything.”

By all account, “Jupiter Ascending”– like “Cloud Atlas” and the third “Matrix” movie– is undecipherable. No one understands it, and it’s full of kitschy, overblown performances. That’s certainly what Eddie, Channing Tatum, and Mila Kunis seem to be doing in the trailer.

For Redmayne, this could be an issue. Best Actor is a tight race with him and Michael Keaton deadlocked in the lead. Benedict Cumberbatch is right behind them, and Bradley Cooper could be a spoiler. Oscar voters may get a look at the reviews and reactions for “Jupiter” and wonder if Redmayne is the real thing.

I must say, he is. All the actors in the lead race this year are quite good. It would be terrible if Oscar voters ascribed the horrendousness of “Jupiter Ascending” to Redmayne alone. He simply got caught up in the Wachowski machine. If “Jupiter” is really as bad as described, it should only take down the siblings, not their actors.

What an odd situation. Twitter is full of screeds about that screening. Plus, evidently they didn’t invite press to the screening– you can’t come into a film festival in a closed location like Sundance and insult the media. What is the purpose of that? Consequently, they’ve all turned on the film. Yikes.

Donate to Showbiz411.com

Showbiz411 is now in its 13th year of providing breaking and exclusive entertainment news. This is an independent site, unlike the many Hollywood trades that are owned by one company. To continue providing news that takes a fresh look at what's going on in movies, music, theater, etc, advertising is our basis. Reader donations would be greatly appreciated, too. They are just another facet of keeping fact based journalism alive.
Thank you


Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

Read more

In Other News