Sunday, July 5, 2026

Golden Globe Nominations Will Be Crazy Because of their Odd Categories

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The Golden Globe nominations are going to be weirder than ever on Thursday morning. Brace yourselves. Almost nothing they do will correlate with the Oscars no matter how many ‘prognosticators’ bloviate on this subject. The reason is the Hollywood Foreign Press has two divisions: drama, and comedy/musical. But do you remember any musicals this year? “Chicago”? “Dreamgirls’? No. Exactly. So they’ve shoved what should be dramas, but with light touches into comedy/musical.

In this category we now have “American Hustle,” “The Wolf of Wall Street,” “Nebraska,” “Her,” “August: Osage County.” None of these were comedies. “AOC” won the Pulitzer Prize for Drama. “Wolf” is about vile people who wrecked their lives and those of others, and went to jail. “Nebraska” is a family drama, just like “AOC.” “American Hustle” is funny, but comedy? “Her” is science fiction, and is somber mostly.

The comedies should be “Enough Said,” “Walter Mitty,” “The Heat,” “This is the End,” and “Anchorman.” Those are comedies.

This makes the whole process you witness on Thursday morning sort of moot. And it’s kind of insulting to the people who makes comedies. Comedy is hard. It’s tricky. The five I just mentioned are top notch and deserve their own category. Oh wait: they had their own category. But now it’s stuffed with dramedies because they’ll have a better chance of winning instead of competing with “12 Years a Slave,” “The Butler,” “Blue Jasmine,” “Gravity,” “Captain Phillips,” and so on.

But it’s what I’ve been saying right along. There are too many movies this year. “Wolf” could easily have waited for 2014. The Globes are going to be a calamity. If you want to know about the Oscars, look at SAG and the AFI. The Globes are just for fun, and nothing else.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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