Thursday, June 4, 2026

‘Precious’ Wins Should Shame National Board

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All the awards and nominations bestowed on Lee Daniels‘ movie, “Precious,” should shame the already shameful National Board of Review.

The NBR, a fan-based, fee-paying group, snubbed “Precious” this year. It was not named as the one of the group’s Best Films of the year. The only citation it received was a throwaway nod to Gabby Sidibe as Breakthrough Performer. The NBR was pretty much the only group in the world that didn’t give its Best Supporting Actress award to Mo’Nique.

The real and utter embarrassment for the NBR though comes with the Oscar awarded to Geoffrey Fletcher, who adapted Sapphire’s novel “Push.” Fletcher won the Oscar for Best Adapted Screenplay. He was ignored by the NBR after resigning from the group last year. His reasoning? He thought it would be a conflict of interest if he stayed. Of course, Fletcher was a fee paying member. Maybe the NBR didn’t like losing his $600 a year.

The National Board of Review has devolved over the years into a travesty. In the past, its only significance was that it announced its winners first, early in December. This gave the studios an early way to advertise their Oscar movies. The public assumed the National Board of Review was a) national and b) made up of reviewers.

But in fact the NBR is neither. It’s a group of well-to-do New Yorkers who pay $600 to belong and see screenings, and $600 more to attend a gala in January and have their pictures taken with the stars. It’s run by a kabal headed by Annie Schulhof, a society matron who once had aspirations to produce movies. The group’s only real critic, Annette Insdorf, a respected writer and teacher at Columbia University, was ousted a couple of years ago.

The “Precious” scandal echoed another from a couple of years ago. The NBR also passed on “Dreamgirls.” They gave Jennifer Hudson, who wound up winning the Oscar, that same Breakhrough Performer award they tagged on Sidibe. Why the studios take this group seriously any more is a mystery. But after this episode, they’d be right to insist on changes or simply let the NBR drift into deserved obscurity.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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