Saturday, October 3, 2026

Tom Cruise Scores Disastrous Opening Weekend with “Digger” Headed to Just $8 Million, Lowest Since 2007’s “Lions for Lambs”

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Tom Cruise will be very sheepish now.

His biggest dud is here since 2007’s “Lions for Lambs.”

“Digger” is headed to an $8 million opening weekend.

It’s really his worst ever personal opening weekend since Meryl Streep and Robert Redford were involved in Lions.

“Digger” is Tom on his own, and it’s a mess. Alejandro Innaritu’s social satire cost at least $150 million. It will be remembered as the final nail in the coffin of Warner Bros. As bad as this year has been, “Digger” also represents the end of Mike DeLuca and Pam Abdy’s otherwise successful run at the top of the company.

Things are so bad that the “Digger” Instagram page is full of vitriol.

Somehow the studio has convinced influencers and a few others also to post claims that one day “Digger” will be appreciated as a classic that was misunderstood. I don’t think that is going to happen.

For the rest of the weekend, “Digger” will play to mostly open houses except for the curious and the faithful. I’m now thinking that the bulk of tickets sold at The Grove in LA and some other venues is from Scientology purchases. “Digger” is as mind numbing as an L Ron Hubbard lecture.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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