Monday, September 21, 2026

Miley Cyrus Jumped from Columbia to Atlantic Records to Save Her Career, But New “Bass Persuades” Album Hasn’t Persuaded Anyone to Buy It

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Well, it’s not like she wasn’t warned.

Miley Cyrus jumped from Columbia Records, where she’d been under the corporate umbrella — RCA records originally — for her whole career.

Thinking the relationship was worn out, Miley made a big deal of going to Atlantic Records — just as Ed Sheeran was leaving after his whole career.

Atlantic was an odd choice. They are not prospering. It wasn’t like she went to Republic or anywhere at Universal Music.

So now we have her “Bass Persuades” album on Atlantic. It’s a dance record, it’s beautifully produced, and there’s no reason why tracks like “Let’s Get Married” or “REDLIGHTS” aren’t hits out of the box. For me to say I’m impressed by the production, you know it’s good.

Alas, the album is a non starter. The bass hasn’t persuaded anyone. Hitsdailydouble.com is now predicting first week sales of 40-45,000 copies. In other words, the album is dead.

This has to be a tremendous disappointment to Miley and her team, who worked hard making this record. But they did nothing to market it. First there was the story I reported that she was set to do the cover of Vanity Fair but backed out at the last minute.

Then, you have the release this week. There’s no sign of her anywhere on TV — no Kimmel or Fallon, no Today or GMA, no CBS Sunday morning. No MTV VMAs this weekend. She’s playing the Hollywood Bowl on October 16th end 18th, which is cool but the album will be long gone by then.

Is it Atlantic’s fault? Or are we seeing a management issue? This is exactly what happened with her last album, on Columbia. She’s the common denominator. But after 20 years in showbiz, and 10 albums, my guess is no one can tell her anything. What a shame. This was a blown opportunity.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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