Thursday, July 2, 2026

Budget Crunch: “Law & Order SVU” Swaps Out Two Newer Actors to Bring Back Kelli Giddish for 27th Season

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Lots of high fives today among “Law & Order SVU” fans. Kelli Giddish is coming back for Season 27.

Giddish played Amanda Rollins for 12 years but got caught in a budget crunch at the end of Season 24. She was replaced by new, younger, and less expensive actors.

But Giddish held on, and came back for guest appearances in Seasons 25 and 26. The Fans love her, and on top of that, her character is married to ADA Dominick Carisi, played by Peter Scanavino. The fans again loved seeing them together.

So now Giddish is back but it’s at the expense of the newer cast members. Last week, NBC announced that Octavio Pisano — who came in strong but was never used effectively — and Juliana Martinez — were leaving the series. No reason was given, but I’m told it was budget.

As shows age the budgets get tighter and more expensive actors are cut. This has happened year after year on “Grey’s Anatomy,” for example. Giddish was just too popular to ignore, plus star Mariska Hargitay loves her

Pisano and Martinez will go on to good things on new shows, and we’ll all say, Oh, look, I know her/him!

Meantime, welcome back Amanda Rollins. Season 27 is going to be a good one!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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