Wednesday, June 24, 2026

Shocking Facebook Book Exposé Jumps to Number 3 on Amazon After Meta Gives it a Lifetime of Publicity in Court Scuffle

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THURS NIGHT UPDATE: “Careless People” is now number 3. Congrats to the Meta lawyers!

Book publisher Macmillan and Flatiron Books just got the gift for which every book company prays.

An arbitrator has ruled that “Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism” by Sarah Wynn Williams, can no longer be promoted or distributed by the author.

But the ruling has no bearing on the publisher, which is continuing to sell the book.

The result is that “Careless People” has jumped to number 6 on amazon. It’s a hit! A big hit! More people will buy this book now than ever would have prior to the decision.

It’s also number 59 on Kindle, which means curiosity seekers are downloading it like crazy for just $16.99. “Careless People” is number 15 on Audible as well. LOL

The book, by Facebook’s former employee, has all kinds of lurid stories about what has gone at Mark Zuckerberg’s company. Of course, Facebook denies all of it.

But what a mistake they made here. Book publishers don’t like to spend money on promotion anyway. Now they don’t have to! Meta has done it for them!

Just watch “Careless People” climb to number 1 today.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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