Friday, June 26, 2026

Kanye West Drops Antisemitic Single on iTunes, YouTube, Spotify, Apple, Amazon — Will They Be Brave Enough to Ban It?

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Kanye west has placed his single, “Vultures,” on all the streaming channels — and they approve of it, apparently.

The main offending couplet in “Vultures” reads: “How’m I antisemitic? I Just fucked a Jewish bitch/I just fucked Scooter’s bitch and we ran her like the Olympics”

Scooter is Scooter Braun, who briefly managed West, and is Jewish.

This is hateful and disgusting, but the streaming services are showing no editorial judgement — or integrity. You can download the single on iTunes, and play it everywhere else.

On YouTube there have already been more than 3 million views. On Spotify, “Vultures” has 35 million streams.

This means all those people are singing along to those lyrics. Imagine if the song referenced any other ethnic group, it would have been banned already. But these companies don’t care about bigotry or hate. They just care that Kanye has a hit.

West dropped another single, also. It’s called “Carnival” and the lyrics are too disgusting to reprint here.

All the lyrics can be found on Genius.com, which reprints all this garbage without question. It’s owned by a guy named Tom Lehman, from Brooklyn.
The most offending rap starts at the 2 minute mark.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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