Monday, June 22, 2026

Venice: Raves for Woody Allen’s New Film, “Coup de Chance” from Variety, Wrap, UK Papers — And Standing Ovations

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The reviews are coming for Woody Allen’s “Coup de Chance” and they are raves. Mostly.

Variety, The Wrap, UK papers like The Guardian and The Telegraph are all — very rightly so — calling it Woody’s best movie in years. They’re right, too. It’s a tight 90 minute murder mystery with a surprise ending that will blow you away. There are also phenomenal performances.

As Woody and wife Soon Yi arrived in the theater, the place erupted in a standing ovation.

The only thumbs down are coming from female critics who aren’t even reviewing the movie.

Glenn Kenny of the New York Times already Tweeted his rave for “Coup de Chance.” He wrote: “Coup de Chance” is NOT “Match Point” redux. It’s framed in a substantially different way. And it’s universes better. Those are TWO points of dissimilarity.

“Coup de Chance” already has international distributors and a French release date.N Now an American distributor with cojones is going to have take this on and buck the tide of misplaced anger toward Woody Allen over something that never happened but has grown into a game of telephone. The people repeating it on social media are as dumb as the Trump supporters.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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