Saturday, May 23, 2026

Mel Gibson’s Panned “Flight Risk” Makes Just $3.5 Mil Friday, Hides His Name for Poster, Ads

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Hollywood “Ambassador” Mel Gibson is hiding on his movie’s poster.

The advertising for “Flight Risk” — which opened to $4.4 million for Thursday and Friday combined — highlights only star Mark Wahlberg’s name. (Total on Friday was $3.5 million.) Audiences are not lining up at the gate for this flight.

But there’s no stressing that this is a “Mel Gibson movie.” Gibson’s name is below in the hard to read credits. Lionsgate must have felt that the antisemitic conspiracy theorist wasn’t much of a draw.

That’s not the only misdirect for this movie. The ad shows Wahlberg looking like a movie star with the top of his head obscured.

But in the film, Wahlberg’s character is bald, with quite a receding hairline.

“Flight Risk” has a 21% rating among critics on Rotten Tomatoes. Audiences haven’t liked it much either, posting a lowly 63%.

PS Even this poster hides Gibson’s name, just highlights a few of his movies. And just “award winning.” No sign of “Oscar winning” for 30 year old “Braveheart.”

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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