Monday, May 25, 2026

Grammy Show Huge Hit: Up More than 30% from 2023, Highs Around 18 Million in Overnight Ratings

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The Grammy Awards show was a huge hit last night on CBS.

With no football or Taylor Swift performing, the show went through the roof ratings wise.

Fast overnight numbers from CBS affiliates show 15 million people were watching the entire night. That’s up more than 30% from last year. At one point during the In Memoriam, 18 million were watching the show.

The interest was not just from Swift fans, but in all the stars. There was nothing offensive, no Satanic videos, no porn for once. Everything was tasteful. There was nothing political.

Also, the show stressed legacy stars Joni Mitchell, Billy Joel, Stevie Wonder, Tracy Chapman, Annie Lennox and so on. This is what the Grammys always needed, a balance between new acts and older ones. And it worked.

These numbers will increase when everything comes in from around the country. But looking at the iTunes charts you can see the impact the show had on the audience. Congrats to producer Ben Winston for righting the ship, even during a monsoon!

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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