Wednesday, June 19, 2024

Jada Pinkett Smith Book Will Debut At Number 1 After Throwing Will Smith Under the Bus and Backing Over Him


Wherever Will Smith is he knows the sting an international slap in the face.

His estranged wife has used her book, called “Worthy,” to mock him relentlessly in the press. She’s thrown him under the bus and then backed up over him for good measure.

The result? The book will be number 1 when it’s released on Tuesday.

Pinkett has told us that Smith is basically a cuckold, someone who doesn’t mind being cheated on publicly or discussed in the most demeaning way.

She’s left nothing out among her own love life, her drug life, and she’s always wiped her feet on the grave of Tupac Shakur. She’s revealed the murdered rapper suffered from alopecia, something no knew about until now.

Then, just to kick Smith again, she’s called Tupac her “Soul mate.”

I never thought I’d feel sympathy for Will Smith after the Chris Rock episode. But I kind of do, now.

Why isn’t he divorcing this woman? Many people speculate it’s about money. If Will divorced Jada, mother of two of his children, his fortune would be divided in half. They have no prenup evidently. And after 27 years, and all his hits, Jada would walk away with a fortune of her own.

But is the money worth it to be humiliated in this way? At this point, Will should downsize, kick everyone off the payroll, and find a good shrink.

Roger Friedman
Roger Friedman
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.

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