Saturday, June 27, 2026

The Weeknd Waves a White Flag on Season 2 of “The Idol”: Already Planting Items That He’s Out, It’s Over

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“The Idol” is going to go the way of all things when season 1 is over.

The Weeknd, whose idea this terrible show was, is waving the white flag on Page Six today.

Seeing the horrific response so far, and the low ratings, Abel Tesfaye has planted an item in the NY Post gossip column to the effect that he’s out, the show is cooked.

This is HBO’s way of letting us know this was a failed experiment. There’s no way otherwise that they would have let this item run, and one without a hint of support for them.

This past Sunday, viewership on the main HBO channel was a paltry 135,000 people. This Sunday could be worse.

In the Page Six item, an anonymous source says no one is watching TV anyway. Um, no. The 9pm Sunday slot just previously had “Succession” pulling 650,000 viewers per week. So who were they?

HBO for some reason cannot do a music show. They failed with “Vinyl,” which at least had characters and wasn’t offensive. But “The Idol” is a mistake. The cabler’s best best is to just let it run out and be done with it. They have bigger fish to fry.

As for The Weeknd, “The Idol” has done its damage. He has no singles on the charts, and no albums either. The single from “The Idol.” called “Popular,” is a stiff.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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