Thursday, May 2, 2024

Martin Scorsese’s “Killers of the Flower Moon” So Long It Will Be Killer of Cannes Saturday Night

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Martin Scorsese’s “Killers of the Flower Moon” is long, long, long. I was told a while ago that it logged in at nearly four hours. Now Deadline says it’s down to three hours, twenty six minutes.

“Killers” is supposed to premiere in Cannes on Saturday, May 20th. But even if the film unfurls at 6pm sharp, it will take up the entire evening on the Croisette. And “sharp” is not a term heard a lot at Cannes events. In all likelihood, “Killers” won’t start rolling much before 7pm, ending at 10pm with the requisite “fifteen minute standing ovation” that accompanies every film.

The Flower Moon won’t be the only thing the Scorsese film kills off. All parties and events connected to the actual festival will take a hit, too. By 10:15pm that crowd will be ravenous and not looking forward to a half hour ride to the Hotel du Cap Eden Roc or Antibes in general. Apple and Paramount may have to feed their guests right on the spot!

The length of “Killers” is not unprecedented. Back in 2008, Steven Soderberg unveiled his movie about Che Guevara, shot in natural light and lasting four hours and change. There was even a bathroom break. The great publicist Peggy Siegal brought a buffet in her large handbag with crackers and cheese. She was the most popular person in the Palais!

Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.
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