Tuesday, June 30, 2026

Weather or Not: “Avatar 2” Box Office Numbers Updated Overnight, Sunday Surge of $8 Mil, “Babylon” Was Ambitious Bomb

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MONDAY MORNING: Disney now says the weekend came to $64 mil after a late Sunday surge.

SUNDAY NIGHT: I know $56 million sounds like a lot. But Disney and other box office prognosticators were hoping for a $65 million second weekend for “Avatar 2.” They fell short by $9 million, down 58% from last weekend.

Was the weather to blame? I’d say it was a factor.

Damien Chazelle’s “Babylon” was an expected bomb. Paramount will be writing off $100 million or more from this disaster. What’s the problem with “Babylon”? Excess. Upon excess. This could have been “L.A. Confidential” if it had a plot and a point. Instead, it was “Heaven’s Gate” meets “Ishtar.” I’d love to see a clever editor carve a movie out of that thing.

But Chazelle seems obsessed with “Singing in the Rain,” even though that movie is many years after “Babylon” occurs. I’d get rid of the orgies, they seem ridiculous and don’t add to the action. (Maybe there should be a short film of “Babylon” orgy outtakes.)

Margot Robbie exudes star power, but she looks all wrong in this film. She’s made up and dressed for a “Studio 54” film. The real key to “Babylon” is the central scene between Brad Pitt and Jean Smart.

What could “Babylon” have been? Just watch Quentin Tarantino’s “Once Upon a Time in Hollywood.” I did again last night. It’s brilliant, holds up better than ever, and should have won Best Picture.

We are closing out a very mediocre year in film. Up next is Tom Hanks in “A Man Called Otto.” I say, Notto.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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