Wednesday, June 17, 2026

Broadway: “The Book of Mormon,” with Sinking Ticket Sales Pre-Pandemic, Returns without Producer Scott Rudin

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Before the pandemic I was chronicling the sinking ticket sales of “The Book of Mormon” on Broadway.

After 11 years, the irreverent musical from the creators of “South Park” was in danger of closing. Sales were way off, there were plenty of empty seats, and the average high ticket price had dropped from around $800 to $168.

Then came the pandemic, and the more recent ouster of producer Scott Rudin over his toxic and violent behavior to employees. He’s also just not a nice guy in the most profound ways.

Rudin said he would “step back” from his productions, but basically he’s got a lot of stalking horses doing his bidding while he uses a remote control.

Now “Mormon” is returning to performances on November 5th. In a statement, authors Trey Parker, Matt Stone and Robert Lopez said, “When Broadway shut down, so many amazing and talented people were put out of work, many of whom had become family to us. As writers and as fans we are so ready for the “Great Broadway Comeback” and are so glad that our show can be a part of it. Can’t wait to be back with the entire team and our wonderful cast, crew, and orchestra.”

Since “Mormon” went on hiatus a lot of things have changed besides health regulations. Black Lives Matter rose in prominence, the cancel culture took hold, political correctness became paramount. “The Book of Mormon” might have trouble re-opening in that atmosphere. The show is very offensive in the best ways possible. Every laugh, even about “raping babies,” is such a shock that it’s a relief. I have a feeling “Mormon” may be more popular now that the audience is so exhausted by righteousness.

We’ll see what the response is when ticket sales resume on June 28th.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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