TIFF 2020 is going to be virtual for us in the US since we can’t cross borders. But it looks pretty cool, like the greatest indie film festival ever. No Hollywood blockbusters but lots of stars including directing turns from Regina King, from Halle Berry, and Viggo Mortensen, a new film from the great Mira Nair, Sam Pollard’s documentary about the FBI surveillance of Martin Luther King, Jr., and Spike Lee’s film of David Byrne’s Broadway musical.
Also in the mix: “Ammonite” from Francis Lee starring Saoirse Ronan, Kate Winslet, and Fiona Shaw; and the previously announced “Nomadland” with Frances McDormand. There’s also “Concrete Cowboy” with Idris Elba, Lorraine Toussaint,and Jharrel Jerome.
Lots of craft, and diversity. I’m looking forward to it, however it plays out.
180 Degree Rule Farnoosh Samadi | Iran
76 Days Hao Wu, Anonymous, Weixi Chen | USA
Ammonite Francis Lee | United Kingdom
Another Round (Druk) Thomas Vinterberg | Denmark
Bandar Band Manijeh Hekmat | Iran/Germany
Beans Tracey Deer | Canada
Beginning (Dasatskisi) Dea Kulumbegashvili | Georgia/France
The Best is Yet to Come (Bu Zhi Bu Xiu) Wang Jing | China
Bruised Halle Berry | USA
City Hall Frederick Wiseman | USA
Concrete Cowboy Ricky Staub | USA
David Byrne’s American Utopia Spike Lee | USA (Opening Night Film)
The Disciple Chaitanya Tamhane | India
Enemies of the State Sonia Kennebeck | USA
Falling Viggo Mortensen | Canada/United Kingdom
The Father Florian Zeller | United Kingdom/France
Fauna Nicolás Pereda | Mexico/Canada
Fireball: Visitors from Darker Worlds Werner Herzog, Clive Oppenheimer | United Kingdom/USA
Gaza mon amour Tarzan Nasser, Arab Nasser | Palestine/France/Germany/Portugal/Qatar
Get the Hell Out (Tao Chu Li Fa Yuan) I-Fan Wang | Taiwan
Good Joe Bell Reinaldo Marcus Green | USA
I Care A Lot J Blakeson | United Kingdom
Inconvenient Indian Michelle Latimer | Canada
The Inheritance Ephraim Asili | USA
Lift Like a Girl (Ash Ya Captain) Mayye Zayed | Egypt/Germany/Denmark
Limbo Ben Sharrock | United Kingdom
Memory House (Casa de Antiguidades) João Paulo Miranda Maria | Brazil/France
MLK/FBI Sam Pollard | USA
The New Corporation: The Unfortunately Necessary Sequel Joel Bakan, Jennifer Abbott | Canada
New Order (Nuevo orden) Michel Franco | Mexico
Night of the Kings (La Nuit des Rois) Philippe Lacôte | Côte d’Ivoire/France/Canada/Senegal
Nomadland Chloé Zhao | USA
No Ordinary Man Aisling Chin-Yee, Chase Joynt | Canada
Notturno Gianfranco Rosi | Italy/France/Germany
One Night in Miami Regina King | USA
Penguin Bloom Glendyn Ivin | Australia
Pieces of a Woman Kornél Mundruczó | USA/Canada/Hungary
Preparations to Be Together For an Unknown Period of Time (Felkészülés meghatározatlan ideig tartó együttlétre) Lili Horvát | Hungary
Quo Vadis, Aïda? Jasmila Žbanić | Bosnia and Herzegovina/Norway/The Netherlands/Austria/Romania/France/Germany/Poland/Turkey
Shadow In The Cloud Roseanne Liang | USA/New Zealand
Shiva Baby Emma Seligman | USA/Canada
Spring Blossom Suzanne Lindon | France
A Suitable Boy Mira Nair | United Kingdom/India (Closing Night Presentation)
Summer of 85 (Été 85) François Ozon | France
The Third Day Felix Barrett, Dennis Kelly | United Kingdom
Trickster Michelle Latimer | Canada
True Mothers (Asa Ga Kuru) Naomi Kawase | Japan
Under the Open Sky (Subarashiki Sekai) Miwa Nishikawa | Japan
Violation Madeleine Sims-Fewer, Dusty Mancinelli | Canada
Wildfire Cathy Brady | United Kingdom/Ireland
A note from TIFF:
TIFF continues to work closely with the Province of Ontario, the City of Toronto, and public health officials on the safe execution of the Festival, with its number-one priority being the health and well-being of both Festival filmgoers and the residents of the entire community. Additionally, TIFF has partnered with Medcan, a global health care leader providing medical expertise, consultation, and health inspiration to achieve its mission of helping people “Live Well for Life.” Based on the pillars of evidence-based care, exceptional client service, and the latest in technology, Medcan’s team of over 90 physicians and specialists support employee health care across the continuum of health, including its “Safe at Work System” helping organizations navigate the pandemic.
The worldwide health crisis has affected everyone working in the cultural industries, and TIFF has been severely impacted. Its role in the ecosystem of the film industry was the impetus to move forward, to deliver a film festival that inspires and engages audiences, and to serve as a beacon of hope for Toronto, for filmmakers, and for the international film industry. TIFF is the cornerstone of a $2-billion-a-year film industry in Toronto, generates more than $200 million in annual economic activity for the City of Toronto and the Province of Ontario, and is the chief market to launch Canadian film content into the global marketplace.
