Saturday, June 27, 2026

Website Flower Power Daily Offering Prize for Interpretation of David Hockney’s New Painting, “Do remember that they can’t cancel spring”

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One of our favorite websites, FlowerPowerDaily.com, is offering a cash prize for the best interpretation of David Hockney’s new painting, “Do remember that they can’t cancel spring.”

The 82-year-old British legend, who now lives in Normandy, was inspired to create this painting which features bright yellow daffodils in front of a grey dotted mass.

There will be three categories for our esteemed judges. A $100 prize for Most Optimistic, Most Realistic and Most Original. There will also be a separate kid’s prize.

Please send all entries to nancy@flowerpowerdaily.com.

The deadline is April 25th.

Flowers teach us about resilience and how beauty always exists if you look for it. They remind us that even in the darkest times, flowers bloom.

This period facing the coronavirus will certainly inspire priorities and perspectives. Including an appreciation for family, nature and togetherness.

It is not surprising that Hockney chose daffodils as his subject. In the language of flowers, the daffodil is not only the trumpet of spring but symbolizes rebirth, new beginnings and hope.

It is also a flower associated with health.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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