Tuesday, May 19, 2026

Mary Poppins Day 2: Disney Faces A Bleak Christmas as Reboot Falls by $700K, Pointing to Lower than Expected Weekend

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For all the nostalgia enthusiasts, “Mary Poppins Returns” looked like a winner. I certainly thought so when I saw it last week.

But day 2 for Mary wasn’t so good. The Rob Marshall directed musical fell by $700,000 from its opening to just $4,053,000. That’s a 16% drop.

If the musical continues in this direction, even a $35 million five day opening will be hard to reach.

Come on, kids, get out there, and see this wonderful extravaganza. What’s holding you back?

Disney does have a problem when it comes to releasing non-Marvel, Pixar, LucasFilm movies– in other words, Disney films. They already have a turkey in theaters, “The Nutcracker and the Four Realms,” which has made just $53 million  ($152 million worldwide).

But “Mary Poppins Returns” is a far cry from those realms. It’s delightful. The main leads– Emily Blunt, Ben Whishaw, and Emily Mortimer– are terrific. And you get to see Dick van Dyke tap dance on a desk! He’s 92!

Let’s hope things pick up tonight!

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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