Sunday, June 14, 2026

Sony Music Prevails in Legal Case with Singer Kesha, But Loses in Moral, Ethics, and Public Relations

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Pop star Kesha Sebert lost her legal effort to extricate herself from Sony Music today. A judge in New York ruled that despite Kesha’s assertions that producer “Dr. Luke” had abused and used her physically and mentally, raped her, drugged her, and tried to destroy her career, she must stay with Sony Music even if she is produced by someone else.

Here’s the complaint Kesha, as she is known, filed last fall:

Kesha Complaint

I have no idea who is right or wrong in this case. But Sony– the home of Barbra Streisand, Bruce Springsteen, Bob Dylan, Beyonce and Adele– has no choice morally or ethically. They’ve got to suck it up, take the financial loss, and let Kesha leave the label. Do they really want to be associated with this? Do they really want to force an artist to work where she doesn’t want to? And do the good people who run Sony want to be remembered for ruining a career?

I’m surprised that the female artists at Sony haven’t spoken out yet on this situation. Regardless of the truth of Kesha’s complaint, the allegations raised are almost textbook in the record industry. Every female artist has a story like this. The most famous is that of Tina Turner, who was held hostage in an abusive relationship for years.

Maybe Kesha should file for assistance from MusiCares, and see if they will help her. But this is certainly not the look that Sony or any other music company wants to be associated with in 2016. I can’t even imagine how a P.R. expert would advise Sony to continue with this. Lady Gaga, Kelly Clarkson, Ariana Grande, and other pop stars are already on Twitter defending Kesha with #FreeKesha. Sony would do well to get out of this fast, and graciously. 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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