Sunday, July 19, 2026

“Star Wars: The Force Awakens” Opens to $57 Mil Thursday, Sets Records, Reveals Spoilers

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“Star Wars” had a huge night last night, opening to $57 million. The previous record was $43 million for the final “Harry Potter” movie.

Today is the real opening day, which means millions of people will learn the truth about a lot of the characters and their fates. The problem will be keeping it all a secret so new waves of fans can be surprised by the revelations.

And there are many, with one in particular that isn’t unveiled until about 45 minutes in. That reveal ties to a climactic event later on that will keep audiences on tenterhooks until the next episode is released.

Also happening today will be the making of movie stars. Daisy Ridley and John Boyega are totally unknown. But they won’t be able to walk in the street by tomorrow morning without attracting crowds. Ridley in particular is about to become a superstar. She is LITERARLLY the star of this “Star Wars.” Just crazy. Hopefully she can remain calm, cool, and collected, and have a real career. But it’s going to be hard.

Wait for a lot of magazine stories titled “Inside Daisy Ridley.” This will be a reference to a Natalie Wood movie no young person has ever heard of, “Inside Daisy Clover.” I’m claiming it first.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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