Tuesday, June 23, 2026

“Django” Set to Become Third $100 Mil Movie for Weinstein Company

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After just six years (or seven– depending on how you count it)– “The Weinstein Company” is about to have its third $100 million movie. Tomorrow, Quentin Tarantino’s “Django Unchained” will cross that magic line with a lot of life left in it, that’s for sure. The other two TWC blockbusters are “The King’s Speech” ($414 mil worldwide, $138 mil US) and Tarantino’s “Inglourious Basterds” ($321.4 mil worldwide, $120.5 mil US).

For a mini studio like Weinstein, born with difficulty after Miramax was claimed by Disney, that’s quite an accomplishment. The company, of course, is awash in Oscars and prestige, from Kate Winslet’s win for “The Reader” to the multiple prizes for “The Artist” and “The King’s Speech.” This year, TWC should rake in quite a few gold statues for “Django,” “The Master,” “Silver Linings Playbook,” and “The Intouchables.”

But it’s not so easy to get past $100 million– and fast. “Django” was released on Christmas Day, so it’s just two weeks. Now the task at hand is for “Django” to double its money at home in theaters because it has a $100 million pricetag. With Oscar noms coming Thursday, Critics Choice and Golden Globes next week, that shouldn’t be too difficult. Sony International must be thrilled too. They start rolling “Django” out next week around the world. Ka ching!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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