Monday, June 22, 2026

Madonna’s Movie May Suffer from “King’s Speech” Comparison

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There’s room in history for lots of different interpretations. But there’s rarely room in Hollywood for two movies on the same topic at the same time.

Madonna is still shooting a feature film for which she reportedly put up big bucks of her own. “W.E.” centers around the lives of the Duke and Duchess of Winsdor, juxtaposed with a modern American couple. The wife in the modern couple is named Wally, and she’s obsessed with Wallis Simpson. Call it “Wally and Wallis” after “Julie and Julia.”

Now, however, we have Tom Hooper‘s “The King’s Speech,” which is largely concerned with the abdication from the throne of King Edward–the Duke of Windsor–and his relationship with Mrs. Simpson.

Unlike the gauzy romantic view of the Duke and Duchess in “W.E.,” the couple don’t fare so well in “The King’s Speech.” That’s because the latter film sticks to history. The couple were Nazi sympathizers, and not too bright. Edward was only interested in Mrs. Simpson, not in the British public. In “The King’s Speech” he is being led around by the nose by Mrs. Simpson, who is described as promiscuous. “She shares her favors with others,” is how it’s delicately worded. Theirs is not a great romance, but a big mess.

One of the best moments in “The King’s Speech,” is when Prince Albert–soon to be King George VI–and the soon to be Queen Mum attend a wild party thrown by Edward and Mrs. Simpson at Buckingham Palace. Albert (Colin Firth) asks Edward (Guy Pearce) what he’s been doing on the throne. Edward thinks about it. “King-ing.” he replies vacantly.

Lucky for Madonna, “The King’s Speech” will be just about done with its run next spring before “W.E.” is ready to be seen.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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