Monday, June 22, 2026

Hollywood Has Not Forgiven Mel Gibson: Plenty of People Will Never Work with Him Again

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Mel Gibson’s Oscar nods today for “Hacksaw Ridge” are instigating a lot of pieces titled “Hollywood forgives Mel Gibson.”

Not so fast.

An anti-Semite, racist, and Holocaust denier, Gibson is absolutely not forgiven in Hollywood. Believe me. I’ve checked. I thought well, maybe they’re right. Maybe Mel’s back. Then I asked around during the Golden Globes.

According to my sources, nothing has changed. Gibson, for example, is persona non grata still at WME Agency aka William Morris Endeavor. The agency’s chief Ari Emanuel vowed never to work with Gibson again. Sources tell me he has not changed his mind.

Many other studio chiefs and agents, as well as actors, will have nothing to do with Gibson. At the Golden Globes dinner in the Beverly Hilton, Gibson and his much younger babymama were kept out of the way of the main stars on the floor.

“Hacksaw Ridge” was independently produced, and released through Lions Gate. Gibson’s next movie, “The Professor and the Madman,” is directed by Farhad Safinia, who worked on Gibson’s “Apocalypto,” It’s produced through Gibson’s Icon Productions. Another project with still no details is “Berserker” with his “Braveheart” collaborator Randall Wallace. Again, it will be indie.

What you won’t be seeing is Mel in romantic comedies with the likes of Jennifer Lawrence or Jessica Chastain. I doubt you’ll even see him with Julia Roberts. Gibson’s baggage is still with him, and it’s not going away.

By the way, “Hacksaw Ridge” made $65 million in the US. If it hadn’t been for foreign sales of $92 million, “Hacksaw” would have been a total loser.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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