Tuesday, June 9, 2026

“Gatsby” Scores Low 43% from Critics, But NY Times Likes It

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Baz Luhrmann’s “The Great Gatsby” hits theaters tomorrow with some issues. On Rotten Tomatoes, the website for critics and bloggers, the movie has a low 43% rating. That’s low for the week, the year, for a movie that’s not going to be an action hit. A lot of the folks there slammed it, including USA Today. On a positive note, The New York Times’ Tony Scott liked it. And I agree with him. I’ve seen it twice.

Luhrmann’s movie is wild, but even in that there’s incredibly beauty and neat touches. When we first meet Gatsby at a party in his house, George Gershwin’s “Rhapsody in Blue” plays to a crescendo. It’s a grand moment. And in the end, the Gatsby story remains a sad and chilling one. Luhrmann never shirks the material. Scott is correct that “Gatsby” is not so sacrosanct that it can’t be played with. And Luhrmann has done a fine job.

But that 43 % with more to come tomorrow, isn’t good. This kind of film depends on reviews. So expect a slow start at the box office but, I think, good word of mouth that will build it over the Memorial Day weekend.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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