Saturday, June 6, 2026

Box Office: “Civil War” Makes $25.7 Mil for Weekend Despite Middling Audience Score

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Lucky for A24, “Civil War” started with a bang.

The Thursday-Friday $10 mil opening propelled the Alex Garland film to a $25.7 million weekend.

Saturday fell off to $8 million and today the studio sees $6.5 million coming in at the box office.

“Civil War” may have started strong but will peter out quickly, however. The Rotten Tomatoes audience score is just 77% and the Cinemascore is B minus.

The initial push may not have “legs.” We’ll see how it does during the week.

There’s very little going on elsewhere at the box office. “Sasquatch Sunset” made $93,000 at nine theaters. Jesse Eisenberg and Riley Keogh star in what is sure to be a shortlived exercise. A documentary about the Indigo Girls took in $14,150.

The next big release doesn’t come until May 3rd. “Fall Guy” with Ryan Gosling and Emily Blunt should be a fairly big deal after a box office drought. “Kingdom of the Planet of the Apes” comes May 10th, and then “Mad Max: Furiosa” is the only significant release for Memorial Day weekend.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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