Thursday, May 28, 2026

Taylor Swift Breaks Her Own Record with 1.5 Mil Copies Sold of New “1989” Album — Almost All Non-Streaming

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Taylor Swift broke her own record this week.

She had her top selling debut week for any of her albums with “1989 (Taylor’s Version).” Hitsdailydouble.com puts the total at 1.56 million.

Most of those were from physical sales — CDs, LPs, and paid downloads. That total was a shocking 1.280 million. Only 300K were streaming equivalent although Swift took up most of the streaming chart last week.

The re-recorded “1989” album out sold the debut week for the original “1989,” which adds to the craziness.

Not so happy would be Shamrock Capital, which bought the original “1989” and five other masters from Scooter Braun for $330 million. Swift has wiped out the original albums by re-recording them. Braun is said to have encouraged Shamrock to buy the masters despite the threat of the re-recordings. He told them the value would go up.

But the original “1989” has sold just 32,000 physical copies in 2023. With streaming, the number is 1.1 million. But it’s far cry from the new version.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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