Sunday, June 21, 2026

HBO’s The Idol Descends into Torture Porn as The Weeknd Shocks (Electrically) Troy Sivan and Other Terrible Things Happen

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In the fourth episode of “The Idol,” Xander– played by Troy Sivan — is shocked electrically with a torture collar by Tedros aka The Weeknd. It’s also implied that he’s abused sexually by Tedros’s skeevy male assistant.

By the end of the episode Jocelyn, played by Lily Rose Depp, is having X rated sex with her ex boyfriend. Earlier, during a recording session, Tedros puts his fingers inside of her and she makes sex noises while her whole staff watches.

“The Idol” is a joke. It’s the worst series ever to air on HBO. It shows a lack of taste and dignity. Some people have called it a rape fantasy. It’s also torture porn. It’s gross. Unlikable is an understatement.

The Weeknd has done everything he can to wreck his career here. He has no singles or albums on the pop charts because of it. This Friday he’s releasing a soundtrack album that no one wants or will buy.

Next Sunday comes the penultimate episode of this season. We are near the end. There will be no more. The show is demented. Some attempt is made to portray Tedros as a wannabe Charles Manson. But he’s just pathetic. We can only hope he dies a violent death in the final episode.

What a mess.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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