Saturday, May 25, 2024

Pop Shock: Jonas Brothers New Album Drops Off Top Spots on All Charts After 1 Week Despite Group Selling Out Yankee Stadium Twice

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Even the worst pop album to debut at number 3 on the charts would still be in the top 50 for a second week.

But The Jonas Brothers’ “The Album” went from 3 last week to off the top 50 on iTunes and the top 100 on amazon. It’s just gone.

On Amazon.com it’s number 116. It’s not just dead, it’s most seriously dead. Luminate indicates maybe sales of 23,000 last week, about 50% off from the debut week. The current iTunes top 200 has “The Album” at 54.

Was no money put into it? Did the mob do something? I’m wracking my brain going through the lists of things that could happen to a record in the history of this shady business.

The weird thing is the exact same scenario happened to Nick Jonas’s solo album in 2021. After appearing on “Saturday Night Live,” Nick’s album was released, and died.

Now the same thing has happened with “The Album.”

Talk about Stranger Things! It’s not like the Jonas trio isn’t popular. Wherever they go, girls scream. They’ve sold out two nights at Yankee Stadium in August. That’s around 80,000 seats. Is it possible none of those fans bought the new album, or even liked one new song?

It’s a mystery, but it definitely can be solved. If anyone knows what’s going on, please email me at showbiz411@gmail.com.

Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.
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