Monday, June 29, 2026

Carole King on the First Time She and Gerry Goffin Heard a Burt Bacharach Song: “We were stunned into silence”

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Carole King has written an excellent remembrance of Burt Bacharach for The Washington Post, but it’s also on her Facebook page for free.

Carole writes:

In 1962, the lyricist (and my then-husband) Gerry Goffin and I were driving up the Garden State Parkway when we heard Dionne Warwick’s recording of “Don’t Make Me Over” for the first time. We were stunned into silence. If we hadn’t been in the left lane between exits, it would have been a pull-over-to-the-side-of-the-road moment.When the song was over, I exclaimed: “What was that?”By “that” I meant the time signature changes, the instrumentation, and the unpredictable chords that allowed the melody to flow over them and carry the power of Warwick’s performance downstream.Gerry turned off the radio. I knew that he was already thinking about lyrics for a song in which we would aspire to rise to the standard of what we later learned was the songwriting team of Burt Bacharach and Hal David.

The rest of the piece is on Facebook.

Carole and Gerry Goffin, Burt Bacharach and Hal David, Neil Sedaka and Howard Greenfield, Jerry Lieber and Mike Stoller, not to mention Barry Mann and Cynthia Weil were all part of what seems now like a quaint era of post Tin Pan Alley writing teams that came from New York and reinvented pop culture.

Along with the Motown teams in Detroit, and the Stax powerhouse couple of Isaac Hayes and David Porter, plus the Beatles, Paul Simon, and Bob Dylan, then Elton John and Billy Joel, they laid out the foundation for everything that followed. They were Gershwin’s and Cole Porter’s descendants. When you look at the contemporary music scene, you could cry for how far we’ve fallen.

Paul McCartney wrote today on Twitter: Dear Burt Bacharach has passed away. His songs were an inspiration to people like me. I met him on a couple of occasions and he was a very kind and talented man who will be missed by us all. His songs were distinctive and different from many others in the ’60s and ’70s…When we met not too long ago he reminded me that he had been the musical director for Marlene Dietrich when The Beatles shared the bill with her at the London Palladium. He was a lovely man. Nancy and I send lots of love to his family.  

It’s funny how Goffin and King wanted to be Bacharach and David, Lennon and McCartney wanted to be Goffin and King, and so on. Lightning struck that generation. We’re so lucky it happened.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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