Tuesday, May 21, 2024

Netflix’s “Glass Onion” Makes $13 Mil in 5 Days in 700 Theaters, Movie Fans Are Mad It Won’t Play Longer or Wider

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If “Glass Onion: A Knives Out Mystery” had played in say 3500 theaters for a month, it might have set records at the box office.

But Netflix sent it into very limited release last week– just 700 theaters — and for a short time, just til this Thursday.

Then if you want to see “Glass Onion,” you’ll have to watch it on Netflix.

In its theatrical release, “Glass Onion” is a huge hit. It’s made $13 million and will finish with upwards of $15 million. With its all star cast including Daniel Craig and Kate Hudson, not to mention scene stealer Janelle Monae, “Glass Onion” could have been huge not only in box office but as a draw to get people into theaters.

Now that opportunity is lost. People with whom I’ve spoken in the business are disappointed, and some even angry. Movie theaters are fighting for customers. Very few movies this season are hits. “Glass Onion” could have been a salve to a lot of problems. Instead, it’s an irritant.

And what about the Oscars? The first “Knives Out” received only a screenplay nom for director Rian Johnson. The new one could get another screenplay citation, plus supporting actress for Monae — but not if Hollywood feels cheated about the release.

Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.
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