Monday, July 6, 2026

Netflix Happy $200 Mil “Gray Man” Not Dependent on Box Office: Few Tickets Sold This Weekend

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“The Gray Man” has not been a crowd pleaser in theaters.

Netflix doesn’t release box office figures, but a quick, unscientific look at Fandango indicates audiences didn’t flock to the $200 million thriller this weekend.

The steamer is counting on their subscribers sampling a few minutes of “The Gray Man” beginning Friday when it hits the platform. Even if no one gets through the film, Netflix will declare a victory.

But in person, “The Gray Man” is not an attraction. Today, for example, The Paris Theater in New York has sold fewer than 10 seats for two shows. Ditto the Cinepolis on West 23rd St. In Los Angeles, about four tickets are sold at the Westwood Landmark.

Otherwise, we can surmise most movie fans are waiting for Friday. Or they’ve read the reviews.

Meanwhile, Netflix is suffering online with “Persuasian,” a Jane Austen adaptation starring Dakota Johnson that is jus awful. I’m a big fan Dakota fan, but this project, let’s say, has gone South. I guess Vanity Fair hadn’t seen it when they put her on the cover. They should have waited til the winter when Apple’s “Cha Cha Real Smooth” — showing Ms. Johnson at her best — has some awards attention.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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