Friday, June 14, 2024

Tom Cruise, Who’s Rarely Had a $100 Mil Movie, Hits $600 Mil on Monday with “Top Gun Maverick”

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“Top Gun Maverick” is poised to cross the $600 million mark in US box office tomorrow, Monday. Today it stands at $600 million.

For Tom Cruise, this is the cherry on top of the sundae. “Maverick” already has over $1 billion in sales counting international box office.

Cruise is not a regular player at the $100 million table. Over the years his non “Mission Impossible” movies have fallen shot, with only “Edge of Tomorrow” — kept in theaters forever — just making the mark.

Otherwise, a string of movies like “Oblivion” and two “Jack Reacher” chapters couldn’t do it. Neither could “American Made,” a good movie that was thrown away, or “The Mummy.”

But “Maverick” hit the zeitgeist. It was nostalgia delivered at the right moment, when audiences were depressed and nervous about COVID, the economy, and worried about a madman running for office again.

And now Cruise is set up for two “Mission Impossible” movies coming next summer and the summer after that. They will each be blockbusters. Cruise’s legacy as a movie star is cemented. The real life stuff? Scientology? The strange situation with Suri, his 16 year old daughter? All of that lingers and is not going away. But for the moment, Cruise is top gun at the box office.

PS A “Top Gun 3”? You can bet the house on it.

Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.

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